TED may present itself as an ideas conference, but most people seem to watch the lectures not so much for the information as for how they make them feel. ("Listen and Learn: The TED Talk Phenomenon". New Yorker [July 9 and 16, 2012]: 73.)I really dislike TED. For what it's worth, there's nothing I dislike more about it than the cult of the nauseous Sir Ken Robinson. But that's just a symptom, one among many. We could put it this way, rewriting TED's trademark slogan: they're not ideas, and they're not worth spreading. They're merely balm for the neoliberal soul, a cynical veneer of supposed intellectualism to leaven the effects of the market.
Wednesday, August 22, 2012
Friday, August 17, 2012
A week or so later we did indeed return, and once again sat up at the bar where we briefly chatted to the bartender about the cocktail scene in Vancouver, asking him for suggestions of any other places he thought we might like in the city. He mentioned a couple of names and we went back to our own conversation. But just as we were leaving, the barman presented us with a sheet of hotel notepaper. This turned out to be a list of fifteen bars and restaurants titled, with something of a flourish, “Derek's Top Picks.” We thanked him and knew we had a mission.
Over the following months, we gradually made our way around all the establishments listed. When I proposed one of Derek's picks as a place to meet, I would explain that “It's on the list.”
We discovered that the list was fairly eclectic. Some places were high-end restaurants, others were dedicated cocktail lounges, while still others had few if any pretensions. Some were busy and full of hipsters; others were quiet and laid-back. Some specialized in classic cocktails, others advertised their creativeness with new recipes and bold combinations of flavours. But they all, without exception, made us some great drinks.
We often sat up at the bar and chatted to the barstaff. At first, we'd try to explain our mission and the fact that Derek had recommended them; everyone knew him, and bartenders often said they felt honoured to be included among his top picks. But we soon discovered we had no need to offer excuses. Cocktails are back in fashion these days, and a city like Vancouver has a vibrant community of increasingly knowledgeable mixers and consumers.
Finally, we finished our mission. We had tried all fifteen of Derek's top picks. We had a hard time ranking them, but some favourites included The Diamond (all wood and brick on a second-floor in Gastown), the Clough Club (which we went past a couple of times before noticing its understated façade), and the Keefer Bar (if it weren’t for the live music that chased us away). But it was time to report back.
We made our way to the Hotel Georgia and asked after Derek. The guy serving at the bar said that Derek had moved on; he was no longer with the hotel. He was not exactly sure where he was now. We exchanged a few words about this somewhat strange circumstance, but left it at that. It was only when the bartender had to go elsewhere for a minute or two that the other punter sitting at the bar turned to us and said “They don’t want to say it, but Derek is dead. Nobody knows exactly how or why, but some say it was suicide.”
And so it turns out. Derek Vanderheide, the 36-year old bar manager at the 1927 Lobby Lounge, had died back in March, while we were still following the route set out in Derek's Top Picks.
Naturally enough, there is now a cocktail in his honour: a mix of bourbon, rum, orgeat syrup, bitters, and Herbsaint anise liquor. But for Alec and myself, the legacy of our very brief encounter with Derek is his list, his knowledge of the local bar scene, and his passion for cocktails, which prompted us to experience the city in new ways.
Wednesday, August 08, 2012
La importancia de una propuesta co- mo Posthegemony ha sido reconocida, por ejemplo, en el hecho de haber alcanzado la única mención de honor que otorga el Katherine Sin- ger Kovacs Prize del MLA para las publicaciones del 2010. Pero sobre todo porque, en las múltiples cues- tiones que despierta, deja abierta la puerta para caminos que aún que- dan por transitar.Francisco Angeles, Reseña. Revista de Crítica literaria latinoamericana 75 (2012): 510-514.